For anyone that hasn’t been paying attention, LKFFCT is one of the state’s premier indie bands. For years now, the band has been captivating audiences with some of the most impassioned and energetic performances the underground stage has ever seen. The experimental stoner punk band is preparing to followup their 2016 release, The Flower Investment Pawn, with a new LP, Dawn Chorus, and have just released the first single, “Hatchling.” As expected, people have already been losing their shit over it.
For this interview, I chatted with LKFFCT’s bringer of bass, Brian Legentil about the upcoming release, future tour dates, the upcoming North Jersey Indie Rock Festival, and what he thinks of people who like Aerosmith.
The time has come to announce the first group of bands for The North Jersey Indie Rock Festival set for September 23 at Cathedral Hall in Jersey City. We have already given you the two sponsors for the event, Jonathan LeVine Projects and, your’s truly, N.J. Racket. Now, we present the lineup of bands from, festival co-founder, Sniffling Indie Kids:
A few weeks ago, Frank DeFranco approached me with the opportunity to co-promote a show with his label, Sniffling Indie Kids (SIK), and I couldn’t jump on it fast enough. Not only because the idea of hosting a show sounded cool as shit and was an idea that had been kicked around N.J. Racket HQ for some time, but because I was ecstatic to have the chance to collaborate with a group like SIK, who have made such a big splash in the local community. Max Rauch summed it up pretty well in our interview: “Honest tunes delivered by a label that passionately cares about what it brings to NJ.” Together, we put together a pretty stacked lineup (no point in being modest), featuring LKFFCT, Rosey Bengal, NGHTCRWLRS, and ManDancing; and with the help of another one of our favorites, Mint 400 Records, we locked down Stosh’s as the venue.
The first time N.J. Racket covered a NGHTCRWLRS show, Cooper took about two hundred photos of the set, and I’d guess about one hundred of those were of the band’s drummer Max Rauch. His excuse was “that dude has too much fun for me to take pictures of anyone else.” Totally accurate assessment. The second time we covered NGHTCRWLRS played out pretty much the same, only this time we introduced ourselves after the show and were thrilled to learn that not only is Max an excellent drummer that has a ton of fun performing, but he is also an incredibly chill and good dude.
Max Rauch is a name you’ve almost definitely heard before on N.J. Racket. Aside from NGHTCRWLRS, we’ve also covered his other band LKFFCT and we’ve reviewed more albums that he’s recorded and engineered than I can keep track of, including Salt Pepper Ketchup, from our own John Cozz, and most recently Within My World, by Sunflower. Max is easily one of the hardest working members of New Jersey’s DIY community and I am endlessly impressed by both the quantity and quality that he continues to produce and the knowledge and talent he shares with so many other artists is truly invaluable.
I turned on LKFFCT’s newest album, The Flower Investment Pawn, and listened to it once, all the way through. Then I did it again. And again. Because I became so charmed by these four guys and their obvious tight friendship. It made me want to hang out with them. Which is weird, because I don’t like hanging out with anyone. That’s how good this album is.